Burton suggests that until cothran, bernstein's affairs had been largely.

Lenny s friends took felicia s side, and tom was bitter.

Bisexual, bernstein began an affair in 1971 with a dazzlingly brilliant young man from pasadena, thomas cothran, which, when discovered by felicia, led to a breakup of the.

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His male partners—clarinetist david oppenheim (matt bomer) and tom cothran (gideon glick), music director at kkhi, a classical radio station in san francisco—are given.

When montealegre found out about the strong romantic and sexual connection bernstein had formed with the music director tom cothran, she told bernstein that he had to.

Ultimately, he left montealegre for a younger man, tom cothran (gideon glick), who worked in classical radio.

The two hit it off instantly, with cothran being a young, expressive person who appealed to, and.

Indeed, that december, tom cothran was off in paris looking for an apartment for the two of them.

In 1971, leonard met tom cothran, a young music director at a san francisco radio station.

Bernstein decided to no longer hide his homosexuality and left his wife felicia for a period of time to live with a young music scholar named tom cothran, whom he had met and.

If included, this risky decision could have been a great turning.

While bernstein had more than a few affairs, “maestro” primarily focuses on his relationship with san francisco music director tom cothran, who assisted with his norton lectures at havard.

After bonding over their love of music, the two began an.

Bernstein and montealegre were separated when her cancer returned in 1976, and the conductor was living in new york city with music researcher tom cothran, via huffpost.

Their love affair both swept me and tore me up as we saw bernstein with his lovers, first matt boomer as a devoted david oppenheim, then gideon glick as the spritely.

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The film focuses on two of them — his dalliance with the clarinetist david oppenheim (matt bomer), whose bottom bernstein slaps at the beginning of the film, and the.

In 1971, bernstein met and fell in love with tom cothran, the music director of a san francisco classical radio station.

By then, felicia had cancer, and she died in.

Tommy was thomas cothran, his former lover, close friend and collaborator, who was entrusted to supervise and edit the composition and initial performances of “mass,”.